Review: The Harry Angslingers – Go Tranquility Base

Named after the main guy behind the criminalization of marijuana, The Harry Anslingers are a wild German punk band whose newest record, Go Tranquility Base (sometimes known just as Tranquility Base), is a fun, fast romp through outer space.

The entire album, which lasts a little over sixteen minutes, tells the tale of the Apollo 11 mission with fuzzed guitars, echoed vocals, and afterburner drums. “Whatever you do, it doesn’t matter. Ease up!” they proclaim on opening track “Ease Up.” Life’s not permanent, so why take it seriously? The Anslingers know this, why don’t the rest of us?

“E.S.A.” (European Space Agency) has some of Davee Damage‘s craziest bass lines on the whole record. “Testimony” is an instant toe-tapper that will energize you far more than some electrolyte-laden drink you’d get on the International Space Station. “Super Chrome” sounds like it was recorded in zero gravity while aboard a classic, metal-riveted Flash Gordon spaceship spewing white-hot flames as it flies alongside warrior hawk-men.

“Second to None” is a bonkers punk rager coming in under two minutes but packing enough punch for a three-minute boxing round. I don’t know how Damage and guitarist Rudy Reefer can keep up with drummer G.G. Angslinger throughout it. “Upside Down & Out” gets off to a bit of a ska start with its bass line but soon cranks up the gritty fuzz and it’s pushing hard to escape gravity. The closing track, “Restricted,” somehow pushes even harder and faster. A live set from these guys must be like running a fifty-yard dash while being chased by a rhino.

Get on board their rocket ship and hold on for dear life.

Keep your mind open.

[Rocket over to the subscription box while you’re here.]

[Thanks to Flatty at It’s Eleven Records.]

Published by

Nik Havert

I've been a music fan since my parents gave me a record player for Christmas when I was still in grade school. The first record I remember owning was "Sesame Street Disco." I've been a professional writer since 2004, but writing long before that. My first published work was in a middle school literary magazine and was a story about a zoo in which the animals could talk.

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