Formed somewhat on a whim, Gustaf (Lydia Gammill – lead vocals, Tine Hill – bass, Vram Kherlopian – guitar, Melissa Lucciola – drums, Tarra Thiessen – percussion and vocals) were playing packed gigs across the country in record stores, apartments, basements, pubs, and even SXSW festival stages before they even cut their debut album – Audio Drag for Ego Slobs. The result is an album created by a band who’d cut their teeth on the road and came into the studio with a power pack of post-punk poppers.
“You say that I’m much to old to be low-fi,” Gammill sings on the opening track, “Mine.” The groove of it is undeniable, rooted in Hill’s bass lick and the tippity-tap of Lucciola’s hi-hat. The song seems to about reclaiming dignity and an attitude of “I really don’t give a rat’s ass.”
“Book” has Gammill demanding proof of erroneous claims of her life being false. It keeps the dance grooves rolling and into “Best Behavior.” “I wanted you to know that I was good today,” Gammill sings, possibly letting her lover know that she wasn’t up to anything naughty…Well, perhaps a bit. “Dream” is a song about weird love, with Thiessen repeating “We love you.” while Gammill claims, “You’re doing great.” and then both of them stating, “It was only a dream.”
Kherlopian’s guitar takes on a bit of a yacht rock feel, which I love, on “Liquid Frown” – a song that seems to be about being under so much relationship stress that it makes you nauseous. Hill’s bass is in full funk mode on “The Motions,” and the backing vocals are warped (like they are on many tracks) to reflect Gammill’s perplexed state of mind at the world in general. “Common sense seems so pedestrian,” Gammill sings on “Cruel” – one of the wittiest tracks on the album with the band flipping off romance.
On the flipside, “Dog” is about someone Gammill didn’t really find attractive or think much about until she saw the guy’s dog. “It took a little effort to see. Hey, who’s that pulling the leash?” “Package” ups the anger a bit before the slightly psychedelic “Happy” comes in to close the album with Gammill saying, “I hope you’re happy getting what you want…I’m out here singing alone.”
As the kids would say, don’t sleep on this album. It’s one of the best post-punk records of the year.
Keep your mind open.
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[Thanks to Tom at Hive Mind PR.]
